2020 Portwrinkle harbour	2020 Dunraven Bay, Wales.	2020 Rame from Freathy

2018 Whitsand Bay. Runnels of water in the sand, three dimensional white horses.	2018 Dungeness by torchlight. Night walk to the shore, torchlight casting its glow on the moment where sea meets land.	2018 Lyme Regis. Early evening, pearlescent sky casting pink reflections onto the sea.
2018 Ramsgate. Mechanical white horse described by a driftwood pencil.	Periwinkles at Portwrinkle These shells glow like E.T.'s finger against the grey shingle of the beach.

2017 Portwrinkle (iii). This piece uses mohair and silver thread crocheted to create a seascape. The individual fibres of the yarn fill the gaps between the stitches, creating a series of unique shadings in what is otherwise a fairly regular pattern.

2016 Bradwell-on-Sea (i). Shells crunching underfoot, waves lapping at a shoreline's undulating shadows.	2016 Bradwell-on-Sea (ii). This piece uses a gradient yarn and the slip stitch style of crochet to create a seascape. This small scrap of driftwood - merely two inches long, was one of only two pieces I found on a visit to Bradwell-on-Sea. As the day faded the sun turned the sea a peachy silver, a sliver of which this hook was able to describe.	2016 Rhossili, Wales. Sparkling sun making the sea shine, sleek wet sand at the shoreline gradually becoming dry and soft.
2016 Portwrinkle, Cornwall (i). Grey shingle, curiously green and purple rocks, the cold blue sea of a winter day.	2016 Portwrinkle, Cornwall (ii). This piece uses a number of different yarns and the Tunisian style of crochet to create a seascape. It is as much about the weather as it is the sea; visiting the beach in a storm, trying to see the sea through mist and rain, picking out the rocks and the outcrop of land along the next bay. Stubbornly finding moments of colour through the clouds.